Wolf-Dieter Seiffert
May 2022
"The Henle Company was formed in 1948 with the permission of the
American military government."
Ever wonder what goes into your musical score, from deciding which notes the composer actually meant to indicate, to deciding ways to increase readability? What does "Urtext" mean, and why should we care? Does Marc-André Hamelin put in the fingerings for Rachmaninoff, when he doesn't perform any of his music? Dr. Wolf-Dieter Seiffert, born in Frankfurt, studied musicology, modern German literature, and philosophy. In 1990 Seiffert started work at G. Henle Publishers as an editor, where he became managing director of G. Henle Verlag in 2000.
Emmanuel Pahud
May 2022
"Music is greater than us--it plays us."
Emmanuel Pahud, principal flute of the Berlin Philharmonic, joins Living the Classical Life in Berlin for a conversation about his life and work, and how he prepares for concerts and zeroes in on his musical voice. With anecdotes and reflections about the late violinist Ivry Gitlis, he shares advice for young performers.
Zlata Chochieva
May 2022
"Music is born from silence."
PIanist Zlata Chochieva, of Ossetian descent, is winner of numerous awards, over a dozen competitions and has five highly-praised albums to her name. She appeared at the Miami International Piano Festival, the Gilmore Keyboard Festival, the festival «Progetto Martha Argerich» in Lugano, the Lucerne Festival, and the Berliner Klavierfestival.
Alena Baeva
May 2022
"Beauty is everywhere around you."
Violinist Alena Baeva joins Living the Classical Life in Tokyo, where she performed the Schumann Concerto, after which she invited the audience to join a prayer for peace. Winner of the Henryk Wieniawski Violin Competition, the Sendai Competition, the Moscow Paganini Competition, and the International T. Wronski Competition, she reflects on the artist's role in the changeable world today, and examines the obligations that may come with the spotlight. With discussions about competitions and the fostering of vulnerability for artistic growth, this conversation is a deeply introspective look at the musician's world.
“Perfection is deeply boring.”
Anthony Roth Constanzo
Nominated for an Independent Spirit Award and praised by the New York Times for his “utterly riveting performances,” Anthony Roth Costanzo is quickly rising to international stature as he performs with the world’s great orchestras and opera houses. In a surprisingly lighthearted conversation about the world of countertenors, Anthony describes how he stumbled into singing and acting, what is unusual and powerful about falsetto singing, and what it feels like to be naked on stage, literally and figuratively.
Episode 43
Running time: 42 minutes
Posted on March 12, 2017 by ZB.