Wolf-Dieter Seiffert
May 2022
"The Henle Company was formed in 1948 with the permission of the
American military government."
Ever wonder what goes into your musical score, from deciding which notes the composer actually meant to indicate, to deciding ways to increase readability? What does "Urtext" mean, and why should we care? Does Marc-André Hamelin put in the fingerings for Rachmaninoff, when he doesn't perform any of his music? Dr. Wolf-Dieter Seiffert, born in Frankfurt, studied musicology, modern German literature, and philosophy. In 1990 Seiffert started work at G. Henle Publishers as an editor, where he became managing director of G. Henle Verlag in 2000.
Emmanuel Pahud
May 2022
"Music is greater than us--it plays us."
Emmanuel Pahud, principal flute of the Berlin Philharmonic, joins Living the Classical Life in Berlin for a conversation about his life and work, and how he prepares for concerts and zeroes in on his musical voice. With anecdotes and reflections about the late violinist Ivry Gitlis, he shares advice for young performers.
Zlata Chochieva
May 2022
"Music is born from silence."
PIanist Zlata Chochieva, of Ossetian descent, is winner of numerous awards, over a dozen competitions and has five highly-praised albums to her name. She appeared at the Miami International Piano Festival, the Gilmore Keyboard Festival, the festival «Progetto Martha Argerich» in Lugano, the Lucerne Festival, and the Berliner Klavierfestival.
Alena Baeva
May 2022
"Beauty is everywhere around you."
Violinist Alena Baeva joins Living the Classical Life in Tokyo, where she performed the Schumann Concerto, after which she invited the audience to join a prayer for peace. Winner of the Henryk Wieniawski Violin Competition, the Sendai Competition, the Moscow Paganini Competition, and the International T. Wronski Competition, she reflects on the artist's role in the changeable world today, and examines the obligations that may come with the spotlight. With discussions about competitions and the fostering of vulnerability for artistic growth, this conversation is a deeply introspective look at the musician's world.
"I definitely don't overthink things –
I'm a horn player."
Stefan Dohr
Stefan Dohr, Principal Horn of the Berlin Philharmonic, reflects on his stellar career as well as on some of its challenges, including how at 19 he survived the audition process and his first season as principal horn sight reading 25 operas. He explains why the "king of his instrument" (NY Chronicle) who is working with the world's leading conductors decided to use the pandemic hiatus for taking conducting classes with Paavo Järvi, and reminisces about Claudio Abbado. (Episode 102)
Episode 102
July 2022
Running time: 34 minutes
Posted September 30th , 2022 by ZB
Video: www.katalog-film.de
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